Cowboys Fringants - Awikatchikaen
http://www.youtube.com/watch?v=vdq6HKDNKoI
Title: Awikatchikaën
Artist: Cowboys Fringants
Album
12 Grande Chansons (2001) ,
Motel Capri (2001) ,
Attache Ta Tuque!
Ça faisait trois jours qu'j't'ais dans l'bois
J't'ais perdu avec Claude Dubois
J'survivais en mangeant des noix
J'ai cogné à une maisonnette
Où m'répondit une femme rondelette
Qui m'offrit 4-5000 omelettes
Je lui dis :
Wantchikatan tchikatan tchikatan tan-tan
Tchikatan tchikatan tchikatan tan-tan
Tchikatan tchikatan tchikatan tan-tan
(BIS)
Après m'être bien rassasié
J'repartis avec mes souliers
Pour la belle région de Granby
Rendu là j'me fis un ami
Son nom c'était Gaston Landry
On a bu 4-5000 whiskys
En chantant :
Wantchikatan tchikatan tchikatan tan-tan
Tchikatan tchikatan tchikatan tan-tan
Tchikatan tchikatan tchikatan tan-tan
(BIS)
Awignaan...
Après avoir dégrisé
Je mis le cap sur Duvernay
Où m'attendait ma chum Josée
Arivé dans ce quartier d'fous
Josée m'a pogné par le cou
Pis y m'ont fait caler comme un trou
J'ai crié :
Wantchikatan tchikatan tchikatan tan-tan
Tchikatan tchikatan tchikatan tan-tan
Tchikatan tchikatan tchikatan tan-tan
(BIS)
Awignaan...
Là j'pense que j't'un peu trop paqueté
J'vas arrêter de voyager
J't'en train de m'scraper la santé
J'ai bu, j'ai mangé comme un fou
Ch'pu capable de me t'nir debout
J'pense que ma vie est terminée
Mais avant de mourir,
Mes dernières paroles furent :
Wantchikatan tchikatan tchikatan tan-tan
Tchikatan tchikatan tchikatan tan-tan
Tchikatan tchikatan tchikatan tan-tan
(BIS)
Saturday, July 19, 2008
Les Cowboys Fringants - Le Gars D'la Compagnie
Les Cowboys Fringants - Le Gars D'la Compagnie
http://www.youtube.com/watch?v=4C1tTJZVigI
Depuis le début du siècle
Des gars courageux ont coupé le bois du Québec
Partaient à l'automne, passaient l'hiver dans des camps
Revn'aient voir leurs femmes quand arrivait le printemps.......
Les américains flairant la bonne affaire
Sont v'nus faire la piasse dans l'bout de Trois-Rivières
Ça va nous faire d'la job pour les Canadiens-Francais
Bâtissez vos usines pis nous on vous donne la forêt!
Pendant des années y'ont coupé comme des défoncés
La demande est trop grande pour s'qu'la forêt peut donner Mais cé pas ben grave y'ont des chums au gouvernement
Fa'qu'y sont r'montés au nord continuer la coupe à blanc...
Les Amérindiens ceux qui chassent de père en fils
Ont voulu leur parler y s'sont fait dire rentré chez vous
C'est pas avec vous autres qu'on va faire des bénéfices
Pour nous un caribou c'est ben plus beau sur un trente sous
Et le gars d'la compagnie rit dans sa barbe
C'est qui le con qui a dit que l'argent poussait pas dins arbres ?
Et le gars d'la compagnie rit dans sa barbe
C'est qui le con qui a dit que l'argent poussait pas dins arbres ?
Et le gars d'la compagnie rit dans sa barbe
C'est qui le con qui a dit que l'argent poussait pas dins arbres ?
GET Les Cowboys Fringants - Le Gars D'la Compagnie ringtones
http://www.youtube.com/watch?v=4C1tTJZVigI
Depuis le début du siècle
Des gars courageux ont coupé le bois du Québec
Partaient à l'automne, passaient l'hiver dans des camps
Revn'aient voir leurs femmes quand arrivait le printemps.......
Les américains flairant la bonne affaire
Sont v'nus faire la piasse dans l'bout de Trois-Rivières
Ça va nous faire d'la job pour les Canadiens-Francais
Bâtissez vos usines pis nous on vous donne la forêt!
Pendant des années y'ont coupé comme des défoncés
La demande est trop grande pour s'qu'la forêt peut donner Mais cé pas ben grave y'ont des chums au gouvernement
Fa'qu'y sont r'montés au nord continuer la coupe à blanc...
Les Amérindiens ceux qui chassent de père en fils
Ont voulu leur parler y s'sont fait dire rentré chez vous
C'est pas avec vous autres qu'on va faire des bénéfices
Pour nous un caribou c'est ben plus beau sur un trente sous
Et le gars d'la compagnie rit dans sa barbe
C'est qui le con qui a dit que l'argent poussait pas dins arbres ?
Et le gars d'la compagnie rit dans sa barbe
C'est qui le con qui a dit que l'argent poussait pas dins arbres ?
Et le gars d'la compagnie rit dans sa barbe
C'est qui le con qui a dit que l'argent poussait pas dins arbres ?
GET Les Cowboys Fringants - Le Gars D'la Compagnie ringtones
Thursday, July 17, 2008
[1977] Elvis Costello
Elvis Costello - Pump It Up
http://www.youtube.com/watch?v=pVngzaBsrSM
Elvis Costello - Red Shoes (Live TOTP 1977)
http://www.youtube.com/watch?v=fJKt-DhII_4
Elvis Costello - "Radio Radio" Live in Detroit, 1978
http://www.youtube.com/watch?v=sROeT7bpzxs
Jonathan Richman and the Modern Lovers - Roadrunner
http://www.youtube.com/watch?v=QHv8Rok9UfA
[1983] English Beat
[1983]
The English Beat - Mirror in the Bathroom
http://www.youtube.com/watch?v=UTNpaaPHENE
The English Beat - Too Nice To Talk To
http://www.youtube.com/watch?v=IarQsEd0mLg
English Beat - Save It For Later
http://www.youtube.com/watch?v=0bM0wVjU2-k
English Beat - I Confess
http://www.youtube.com/watch?v=ApEV0cFW3jE
The English Beat - Mirror in the Bathroom
http://www.youtube.com/watch?v=UTNpaaPHENE
The English Beat - Too Nice To Talk To
http://www.youtube.com/watch?v=IarQsEd0mLg
English Beat - Save It For Later
http://www.youtube.com/watch?v=0bM0wVjU2-k
English Beat - I Confess
http://www.youtube.com/watch?v=ApEV0cFW3jE
[1977] Jonathan Richman
Jonathan Richman and the Modern Lovers - Roadrunner
http://www.youtube.com/watch?v=QHv8Rok9UfA
Sex Pistols - Roadrunner
http://www.youtube.com/watch?v=yl-y6rLj58Q
The Modern Lovers - Roadrunner
http://www.youtube.com/watch?v=TDJShMk-r88
The Modern Lovers - Pablo Picasso
http://www.youtube.com/watch?v=Vx5J0DMJgs8
David Bowie: Pablo Picasso
http://www.youtube.com/watch?v=9fXhS6k8Y-I
http://www.youtube.com/watch?v=QHv8Rok9UfA
Sex Pistols - Roadrunner
http://www.youtube.com/watch?v=yl-y6rLj58Q
The Modern Lovers - Roadrunner
http://www.youtube.com/watch?v=TDJShMk-r88
The Modern Lovers - Pablo Picasso
http://www.youtube.com/watch?v=Vx5J0DMJgs8
David Bowie: Pablo Picasso
http://www.youtube.com/watch?v=9fXhS6k8Y-I
Tuesday, July 15, 2008
Life is digital. Everything is data.
[1] Radiohead - House of Cards
http://www.youtube.com/watch?v=8nTFjVm9sTQ
In Radiohead's new video for "House of Cards", no cameras or lights were used. Instead, 3D plotting technologies collected information about the shapes and relative distances of objects. The video was created entirely with visualizations of that data.
Directed by James Frost
From the album IN RAINBOWS
[2] Ola Rosling, No cameras. No lights. Just data. 7/14/2008 07:47:00 AM, http://googleblog.blogspot.com/2008/07/no-cameras-no-lights-just-data.html
[3] The Making-of "House of Cards" video、http://www.youtube.com/watch?v=cyQoTGdQyw
[4] http://code.google.com/radiohead.
Monday, July 14, 2008
[jazz]
avec André Rhéaume
19 H 16
Titre: Insomnie
Album: Matthieu Belanger: Insomnia (****)
Interprète(S): Matthieu Belanger, Andree Boudreau, Wayne Smith, Claude Lavergne
Compositeurs: Matthieu Belanger
Étiquette: Xxi, Xxicd - 21598
http://www.matthieubelanger.com/
I’ll start with two anecdotes or, if you prefer, two somewhat eloquent variations on a theme.
It was about ten years ago, in that Vieux Québec record store that used to be called Musique d’Auteuil, when a jazz maniac called Bernard was still working there. I was browsing through the jazz section, not paying too much attention to the music playing. I recall identifying the tune as a contemporary reading of “Orange Was the Color of Her Dress, Then Blue Silk”. I was still strolling around when the sound of a clarinet caught me off-guard. Since Charles Mingus’ music belongs to the universal repertoire now, and it could have been any musician in the world, except that to my ears...
“Isn’t this Matthieu Bélanger?” I asked Bernie, who was busy labelling a bunch of new CDs.
He handed me the jewel case.
“It just came out: Hommage à Mingus, by the Normand Guilbeault Ensemble...”
...featuring, among others, Matthieu Bélanger on clarinet. I could have bet!
A couple of weeks later, by a warm summer evening, I was on the highway, in Suzie’s sports car. I was scanning the FM band, looking for some digestible music, when once again a solo clarinet got me to tune into Radio-Canada’s now-defunct Chaîne culturelle. Puzzled, my sweetheart raised an eye-brow, just like Mr Spock. It could have been any musician in the world, except that to my ears...
“I’m pretty sure it’s Matthieu!”
Suzie and I kept listening to the virtuoso, as we waited for the radio host to confirm my guess. Fifteen minutes later, bingo. Again.
In jazz, everybody knows a great soloist must have his own style, his own unmistakable sound. Mathieu Bélanger is a great soloist. To verify that, one only has to listen to the records he made as a sideman in bassist Normand Guilbeault’s, pianist Yves Léveillé’s or vibes master Jean Vanasse’s bands, or the album he made as a member of the pop act Ann Victor. To my mind, he is one of the most exhilarating improvisers on the Montreal scene. I’ve had this belief since the first time I heard Bélanger at Café Sarajevo, where he used to come and jam with Lili’s Tigers, the house band led by my old friend from Université de Montréal pianist Anthony Rozankovic. At the time, I nicknamed him the “Mad Clarinettist”, as a comment on his prodigious technique, the intensity of his playing and his Coltrane-like volubility. I remember particularly well those unending solos, especially in the standard “Just Friends”, where Bélanger just kept blowing and blowing over the rhythm section’s steady groove, chorus after chorus, crescendo and diminuendo, never out of breath, never out of inspiration.
One can hear all those qualities in this debut album I’ve been expecting and demanding for a decade now. But, like great wine, Bélanger has gained in maturity – passing years and fatherhood must have had something to do with that, wouldn’t you say, my friend? Obviously, the clarinettist doesn’t feel he has to systematically dazzle us with virtuosity. The double influence of John Coltrane and Eric Dolphy (to whom homage is humbly paid in “Blues for Mr Dolphy”) is still audible, but as a distant echo of that noble lineage. With his new-found wisdom, Bélanger reminds us of the virtues of controlled freedom, and the secret intensity expected of passion’s embers, just like Wayne Shorter, another of the clarinettist’s role models.
Still, don’t fear: this newly-discovered moderation doesn’t exclude the occasional explosion, as in “Rollercoaster”, “Running for the Train” or on other tracks. However, this album provides us with the chance to get to know Bélanger as a composer who cares a great deal for harmonic nuances and as a songwriter: what a poignant homage he’s offered the Katrina-devastated birthplace of jazz with his tune “Wandering Souls of New Orleans”, brilliantly sung by blues veteran Bob Walsh. One even gets the opportunity to appreciate Bélanger as a generous leader, not interested in outshining his colleagues as much as willing to establish a rich and fruitful musical dialogue with them. Of course, it certainly helps when the said colleagues are as gifted as Wayne Smith on acoustic bass, Claude Lavergne on drums and, last but not least, the ravishing and talented Andrée Boudreau from whom I think we decidedly haven’t heard enough in the last few years. (And how about a follow-up to that first CD of yours, Andrée?)
To untrained or indifferent ears, most jazz albums sound alike. But if one listens closely to the music on this record, one has to agree that it wasn’t recorded by any other musician in the world.
There’s only one Matthieu Bélanger. And that’s the reason why we must appreciate him for his great worth.
Stanley Péan
Writer and jazz enthusiast
19 H 16
Titre: Insomnie
Album: Matthieu Belanger: Insomnia (****)
Interprète(S): Matthieu Belanger, Andree Boudreau, Wayne Smith, Claude Lavergne
Compositeurs: Matthieu Belanger
Étiquette: Xxi, Xxicd - 21598
http://www.matthieubelanger.com/
I’ll start with two anecdotes or, if you prefer, two somewhat eloquent variations on a theme.
It was about ten years ago, in that Vieux Québec record store that used to be called Musique d’Auteuil, when a jazz maniac called Bernard was still working there. I was browsing through the jazz section, not paying too much attention to the music playing. I recall identifying the tune as a contemporary reading of “Orange Was the Color of Her Dress, Then Blue Silk”. I was still strolling around when the sound of a clarinet caught me off-guard. Since Charles Mingus’ music belongs to the universal repertoire now, and it could have been any musician in the world, except that to my ears...
“Isn’t this Matthieu Bélanger?” I asked Bernie, who was busy labelling a bunch of new CDs.
He handed me the jewel case.
“It just came out: Hommage à Mingus, by the Normand Guilbeault Ensemble...”
...featuring, among others, Matthieu Bélanger on clarinet. I could have bet!
A couple of weeks later, by a warm summer evening, I was on the highway, in Suzie’s sports car. I was scanning the FM band, looking for some digestible music, when once again a solo clarinet got me to tune into Radio-Canada’s now-defunct Chaîne culturelle. Puzzled, my sweetheart raised an eye-brow, just like Mr Spock. It could have been any musician in the world, except that to my ears...
“I’m pretty sure it’s Matthieu!”
Suzie and I kept listening to the virtuoso, as we waited for the radio host to confirm my guess. Fifteen minutes later, bingo. Again.
In jazz, everybody knows a great soloist must have his own style, his own unmistakable sound. Mathieu Bélanger is a great soloist. To verify that, one only has to listen to the records he made as a sideman in bassist Normand Guilbeault’s, pianist Yves Léveillé’s or vibes master Jean Vanasse’s bands, or the album he made as a member of the pop act Ann Victor. To my mind, he is one of the most exhilarating improvisers on the Montreal scene. I’ve had this belief since the first time I heard Bélanger at Café Sarajevo, where he used to come and jam with Lili’s Tigers, the house band led by my old friend from Université de Montréal pianist Anthony Rozankovic. At the time, I nicknamed him the “Mad Clarinettist”, as a comment on his prodigious technique, the intensity of his playing and his Coltrane-like volubility. I remember particularly well those unending solos, especially in the standard “Just Friends”, where Bélanger just kept blowing and blowing over the rhythm section’s steady groove, chorus after chorus, crescendo and diminuendo, never out of breath, never out of inspiration.
One can hear all those qualities in this debut album I’ve been expecting and demanding for a decade now. But, like great wine, Bélanger has gained in maturity – passing years and fatherhood must have had something to do with that, wouldn’t you say, my friend? Obviously, the clarinettist doesn’t feel he has to systematically dazzle us with virtuosity. The double influence of John Coltrane and Eric Dolphy (to whom homage is humbly paid in “Blues for Mr Dolphy”) is still audible, but as a distant echo of that noble lineage. With his new-found wisdom, Bélanger reminds us of the virtues of controlled freedom, and the secret intensity expected of passion’s embers, just like Wayne Shorter, another of the clarinettist’s role models.
Still, don’t fear: this newly-discovered moderation doesn’t exclude the occasional explosion, as in “Rollercoaster”, “Running for the Train” or on other tracks. However, this album provides us with the chance to get to know Bélanger as a composer who cares a great deal for harmonic nuances and as a songwriter: what a poignant homage he’s offered the Katrina-devastated birthplace of jazz with his tune “Wandering Souls of New Orleans”, brilliantly sung by blues veteran Bob Walsh. One even gets the opportunity to appreciate Bélanger as a generous leader, not interested in outshining his colleagues as much as willing to establish a rich and fruitful musical dialogue with them. Of course, it certainly helps when the said colleagues are as gifted as Wayne Smith on acoustic bass, Claude Lavergne on drums and, last but not least, the ravishing and talented Andrée Boudreau from whom I think we decidedly haven’t heard enough in the last few years. (And how about a follow-up to that first CD of yours, Andrée?)
To untrained or indifferent ears, most jazz albums sound alike. But if one listens closely to the music on this record, one has to agree that it wasn’t recorded by any other musician in the world.
There’s only one Matthieu Bélanger. And that’s the reason why we must appreciate him for his great worth.
Stanley Péan
Writer and jazz enthusiast
[Jazz]
avec André Rhéaume
18 H 08
Titre: Mercy Street
Album: Herbie Hancock: The New Standard
Interprète(S): Herbie Hancock
Compositeurs: Peter Gabriel
Étiquette: Verve, 314529584
18 H 04
Titre: Herbie Hancock
Album: Claude Nougaro: La Note Bleue
Interprète(S): Claude Nougaro, Eric Legnini, Rosario Bonaccorso, Andre Ceccarelli, Stephane Guillaume, Nicolas Giraud
Compositeurs: Herbie Hancock, Claude Nougaro
Étiquette: Blue Note, 8756582
17 H 58
Titre: The Speech
Album: Moutin Reunion Quartet: Sharp Turns + Dvd
Interprète(S): Moutin Reunion Qua, Francois Moutin, Louis Moutin, Rick Margitza, Pierre De Bethmann, Pierre De Bethmann
Compositeurs: Francois Moutin
Étiquette: Nocturne, Ntcd - 4501
18 H 08
Titre: Mercy Street
Album: Herbie Hancock: The New Standard
Interprète(S): Herbie Hancock
Compositeurs: Peter Gabriel
Étiquette: Verve, 314529584
18 H 04
Titre: Herbie Hancock
Album: Claude Nougaro: La Note Bleue
Interprète(S): Claude Nougaro, Eric Legnini, Rosario Bonaccorso, Andre Ceccarelli, Stephane Guillaume, Nicolas Giraud
Compositeurs: Herbie Hancock, Claude Nougaro
Étiquette: Blue Note, 8756582
17 H 58
Titre: The Speech
Album: Moutin Reunion Quartet: Sharp Turns + Dvd
Interprète(S): Moutin Reunion Qua, Francois Moutin, Louis Moutin, Rick Margitza, Pierre De Bethmann, Pierre De Bethmann
Compositeurs: Francois Moutin
Étiquette: Nocturne, Ntcd - 4501
[Éclectique]
[Éclectique]
avec
Stanley Péan Et Catherine Durand Et Catherine Pépin Et Gilles Payer
17 H 18
Titre: Pour Ton Sourire
Album: Jorane: The You And The Now
Interprète(s): Jorane, Daniel Lanois
Compositeurs: Daniel Lanois
Étiquette: Aquarius, Q - 200617
17 H 09
Titre: Me Llaman Calle
Album: Manu Chao: La Radiolina
Interprète(s): Manu Chao
Compositeurs: Manu Chao
Étiquette: Because, 2981168
17 H 01
Titre: Soldier
Album: Tiken Jah Fakoly: L'africain
Interprète(s): Tiken Jah Fakoly, Akon Thiam
Compositeurs: Tiken Jah Fakoly, Vi Avelino, David Jno Baptiste, Magyd Cherfi, Akon Thiam
Étiquette: Barclay, 5301306
avec
Stanley Péan Et Catherine Durand Et Catherine Pépin Et Gilles Payer
17 H 18
Titre: Pour Ton Sourire
Album: Jorane: The You And The Now
Interprète(s): Jorane, Daniel Lanois
Compositeurs: Daniel Lanois
Étiquette: Aquarius, Q - 200617
17 H 09
Titre: Me Llaman Calle
Album: Manu Chao: La Radiolina
Interprète(s): Manu Chao
Compositeurs: Manu Chao
Étiquette: Because, 2981168
17 H 01
Titre: Soldier
Album: Tiken Jah Fakoly: L'africain
Interprète(s): Tiken Jah Fakoly, Akon Thiam
Compositeurs: Tiken Jah Fakoly, Vi Avelino, David Jno Baptiste, Magyd Cherfi, Akon Thiam
Étiquette: Barclay, 5301306
Thursday, July 3, 2008
[Éclectique]
[Éclectique]
Liste Des Données Pour Le 03 Juillet 2008
**** Stanley Péan Et Catherine Durand Et Catherine Pépin Et Gilles Payer ****
17 H 16
Titre: L'enfer Est Sold-Out
Album: Martin Leon: Le Facteur Vent
Interprète(S): Martin Leon
Compositeurs: Martin Leon
Étiquette: La Tribu, Tricd - 7272
7 H 11
Titre: 1er Mouvt: Allegretto
Album: Berceuse / Guajira / Zapateo / Suite, Op 41
Interprète(S): Alvaro Pierri
Compositeurs: Federico Moreno-Torroba
Étiquette: Amplitude, Clcd - 2010
Liste Des Données Pour Le 03 Juillet 2008
**** Stanley Péan Et Catherine Durand Et Catherine Pépin Et Gilles Payer ****
17 H 16
Titre: L'enfer Est Sold-Out
Album: Martin Leon: Le Facteur Vent
Interprète(S): Martin Leon
Compositeurs: Martin Leon
Étiquette: La Tribu, Tricd - 7272
7 H 11
Titre: 1er Mouvt: Allegretto
Album: Berceuse / Guajira / Zapateo / Suite, Op 41
Interprète(S): Alvaro Pierri
Compositeurs: Federico Moreno-Torroba
Étiquette: Amplitude, Clcd - 2010
What he really said ...
http://www.youtube.com/watch?v=T4_MsrsKzMM
YIKES !
Joe Cocker Exposed
http://www.youtube.com/watch?v=9rRbNtx1eHM
Jimi Hendrix Exposed
http://www.youtube.com/watch?v=3HogXK9TWwg
The Grateful Dead Exposed
http://www.youtube.com/watch?v=GrGrvCDyQJ8
Tuesday, July 1, 2008
Que es mas macho
Laurie Anderson Smoke Rings
Que es mas macho
http://www.youtube.com/watch?v=bXvn_W6Fg00
http://www.autobahn.com.br/laurie_anderson/Home_Brave.htm
Dankitti's Smoke Rings
http://www.youtube.com/watch?v=76MahVS8080
Anillos del Humo (Smoke Rings)
http://www.youtube.com/watch?v=znnP72FIUlc
Que es mas macho
http://www.youtube.com/watch?v=bXvn_W6Fg00
http://www.autobahn.com.br/laurie_anderson/Home_Brave.htm
Dankitti's Smoke Rings
http://www.youtube.com/watch?v=76MahVS8080
Anillos del Humo (Smoke Rings)
http://www.youtube.com/watch?v=znnP72FIUlc
Subscribe to:
Posts (Atom)